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Negotiating 'the West' Music(ologic)ally programme
Location: Sweelinckzaal, Drift 21, Utrecht University
MONDAY 11 APRIL 2011 |
08.30-09.15 | Welcome, coffee & registration |
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09.15-09.30 | Formal opening |
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09.30-11.30 | Session 1: Transmissions · Adaptations · Nuances |
| Christine Lucia (University of Stellenbosch):
‘How the West Was Won: Mohapeloa and the Sounds and Songs of Africa’ |
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| Irene Pui-ling Pang (University of Hong Kong):
‘Representing the West Musically: Concert Programs of the Shanghai Public Band, 1879-1906’ |
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| Rachel Hayward (City University London):
‘Performing “Western Music” on a Caribbean Folk Instrument’ |
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| Etienne Viviers (University of Stellenbosch):
‘Negotiating Music(ologic)al Adaptations by/of “the West”’ |
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11.30-12.00 | Coffee/Tea |
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12.00-13.00 | Session 2: Complicating Music Historiography I |
| Björn Heile (University of Glasgow):
‘New Music and Critical Cosmopolitanism’ |
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| Grant Olwage (University of Witwatersrand, Johannesburg):
‘Paul Robeson's 1958 Carnegie Hall Recital as Cosmopolitan Critique’ |
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13.00-14.00 | Lunch |
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14.00-15.30 | Session 3: Institutions |
| Lizabé Lambrechts (University of Stellenbosch):
‘The Music Archive as a Methodological Conduit of Westernness’ |
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| George King (University of South Africa, Pretoria):
‘Forbidden Pleasures: Wresting “the West” from a Moribund Musicology – A Case Study from South Africa’ |
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| Jeremy Leong (University of Wisconsin-Madison):
‘When East Meets West: Philosophy and Cultural Politics of Chinese Music Education’ |
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15.30-16.00 | Coffee/Tea |
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16.00-17.00 | Session 4: Complicating Music Historiography II |
| Eric Martin Usner (Independent Scholar):
‘Musikwissenschaft and Cosmopolitanism: Roots and Routes of Western Musicologies’ |
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| Vít Zdrálek (Charles University, Prague):
‘Situating Czech Ethno/Musicology: Between the West and Its Subject’ |
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17.15-18.30 | Round Table I |
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18.30 | Welcome reception & conference dinner |
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TUESDAY 12 APRIL 2011 |
09.30-11.30 | Session 5: Problematizing Binaries |
| Samuel Llano (University of Birmingham):
‘“Spanish Music” and Notions of French Civilisation in the Wake of the First World War’ |
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| Yasuko Shibata (Polish Academy of Sciences):
‘Frédéric Chopin, A ‘Colonized’ Poland and the ‘Implausible’ Messianism:A Sociological Attempt at Pluralizing the Musicological Discourse |
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| Kathryn Olsen (University of KwaZulu-Natal):
‘What Do We Do With “the West”? What Do We Do With “Africa”?: Identity Politics in South African Popular Music’ |
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| Sarha Moore (University of Sheffield):
‘Does World Music Practice Perpetuate Political Dualisms? The Case of the Flattened Supertonic’ |
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11.30-12.00 | Coffee/Tea |
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12.00-13.00 | Session 6: The Cold War Legacy |
| Joanna Bullivant (University of Nottingham):
‘East within West: Alan Bush’s Guyanese Opera’ |
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| Matthias Tischer (Independent Scholar):
‘East Meets West: Composing Through the Iron Curtain – The Example of Hans Werner Henze and Paul Dessau’ |
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13.00-14.00 | Lunch |
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14.00-15.30 | Session 7: Media |
| Srđan Atanasovski (University of Arts, Belgrade):
‘Western Music for Banal Nation: Re-Erecting Avala TV Tower and the Role of Music in State Apparatus in Serbia’ |
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| Kristin McGee (University of Groningen):
‘Simulating Orientalism and Gender in Transnational Contexts: From Little Egypt to MTV’ |
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| Bhekinkosi Hlashwayo (Independent Scholar):
‘Negotiating African Identities in Post-Colonial Africa: Identity, Neo-Africanism and American Hegemony as Reflected in African Pop Music’ |
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15.30-16.00 | Coffee/Tea |
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16.00-17.00 | Session 8: Complicating Music Historiography III |
| Jen-yen Chen (National Taiwan University):
‘Utopian Universalism and the Modern Idea of the West in the Reception of European Musical Culture circa 1800’ |
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| Jin Hyun Kim (Freie Universität Berlin) & Meebae Lee (CUNY Graduate Center):
‘Beyond Western Precepts: Toward a Post-Globalization Discussion in Musicology’ |
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17.15-18.30 | Round Table II |
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18.30 | Drinks |
